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Environmental threats and climate change are urgent matters of concern at Jesuit universities, where conversations on this topic often take place in reference to two documents by Pope Francis: Laudato Si’: On Care for Our Common Home (2015) and the 2023 update Laudate Deum. Artists play an indispensable role in our collective response to climate change. To See This Place, curated by Al Miner and David Brinker, will present work by Athena LaTocha, Mary Mattingly, and Tyler Rai, three contemporary artists whose outlook resonates with the themes of Laudato Si’ and Laudate Deum. Embodying a breadth of personal, geographic, and cultural backgrounds, the three artists create works strongly associated with a sense of place, whether specific or imaginary. They employ media as diverse as photography, sculpture, video, and painting, and often incorporate materials sourced from particular locales. Yet the artists draw forth broader themes from this particularity, critiquing political and economic systems that perpetuate destructive self-interest and drawing attention to people who have been marginalized and historically excluded or harmed. The works are artistically compelling yet can inspire us to creativity and boldness in our efforts to address climate change. 

This exhibition will open at Saint Louis University's Museum of Contemporary Religious Art, Fall 2025.

Image: Mary Mattingly, Saltwater, 2022, chromogenic dye coupler print. Courtesy of the artist © Mary Mattingly

This exhibition explores Tonalism in the United States from the 1880s to the early 20th century, through artists from the Northeast such as George Inness, John Henry Twachtman, and John Francis Murphy. Tonalism is a transitional movement that grew out of and reacted to the Hudson River School of painting and laid the groundwork for modernism. Evocative landscapes, evoking a spiritual connection to the natural world, often painted from memory, are the primary genre of this movement. The more than fifty artworks in this exhibition are drawn from private and institutional collections.

Image: Bruce Crane, Sunset, n.d., oil on canvas. Private Collection, Connecticut

The ¼â½ÐÊÓƵ University Art Museum is excited to have a model of the Antikythera Mechanism on loan from the in Athens, Greece. The Antikythera Mechanism, often described as the oldest analogue “computer,” was a device dating to the 2nd BCE used for astronomical calculations, including predicting eclipses. Pieces of the bronze device and its wooden case were first discovered in 1901 off the island of Antikythera, from which it takes its name. The pieces are today in the National Archeological Museum of Athens, and scholars continue to study it today to understand its functions.

¼â½ÐÊÓƵ University Art Museum is the first stop for The Tulip Family by artist Lauren Booth. The sculpture is a play on simplicity and the joy of a childhood drawing, juxtaposed with a humble nod to Henry Moore, Niki de Saint Phalle and Barbara Hepworth, all of whom influenced this sculpture.

Image: Lauren Booth, The Tulip Family, 2017-2023, bronze. On loan from the artist

The leaves installed on the Bellarmine lawn are on loan to the ¼â½ÐÊÓƵ University Art Museum for the next year from the American artist Alan Sonfist (b. 1946), best known as a pioneer of the Land or Earth Art movement. These four larger-than-life aluminum sculptures of leaves were created in 2011 and represent several of New England’s most beloved native trees: the American Beech, the American Chestnut, the Burr Oak, and the Sugar Maple. The sculpted leaves act as reminders to honor and protect the trees, and as a warning that failure to do so could result in their extinction.

The museum is working with the Biology Department, the Environmental Studies Program and the artist, around a series of programs to be presented in the spring of 2022 to highlight these sculptures, along with climate change and endangered species.