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Museum Presents Dawn & Dusk: Tonalism in Connecticut

A serene painting depicting a river surrounded by lush trees and vibrant green grass under a clear sky.
Robert Bruce Crane, Sunset, ca. 1890, oil on canvas. Private collection, Connecticut
By Susan Cipollaro

The ¼â½ÐÊÓƵ University Art Museum announces an exhibition of Tonalist landscape paintings opening January 17 and on view through April 12, 2025.

The ¼â½ÐÊÓƵ University Art Museum is pleased to present Dawn & Dusk: Tonalism in Connecticut, a major exhibition of tonalist paintings on view from January 17 through April 12, 2025, in the Museum’s Bellarmine Hall Galleries.

This selection of 60 works, ranging from 1878 to 1917, by 22 different artists explores the evolution of the Tonalist movement in landscape paintings. The term "Tonalism" is associated primarily with a type of landscape and seascape produced by artists working in and around New York and Boston during the late 19th and early 20th centuries. Their predecessors were the landscape painters of the early to mid-19th century who comprised what came to be called the Hudson River School — painting canvases that explored the beauty of the Americas, proclaimed the idea of Manifest Destiny, and served the heady optimism of the young United States. The Tonalist painters embraced the ideas of a new era as the psychological wreckage of the Civil War and increased industrialization challenged the narrative of God-ordained grandeur, classically composed vistas, and luminous, crystalline views.

This exhibition is entitled Dawn & Dusk to reflect the preferred subject matter of these painters who chose to reproduce the subtle effects that dawn, twilight, autumn, and winter have on the landscape. Vacant of human activity, these works usually focus on more spiritual or symbolic meaning and provide a bridge to the more expressive, psychological, and modernist works of the 20th century.

Guest-curated by Mary Ann Hollihan, this exhibition includes paintings from three major private collections, as well as an important painting by George Inness from the Milton Klein Collection at the Bridgeport Public Library that has not been publicly exhibited in over 70 years, two works by James McNeill Whistler lent by the New York Public Library, two paintings lent by the Florence Griswold Museum, and works by three women artists lent by Hawthorne Fine Art and the Cooley Gallery.

The idea for this exhibition was sparked by University Trustee Rosellen (Walsh) Schnurr ’74 and her husband, Dr. Robert Schnurr ’74, and was made possible thanks to their generous support. Additional supporters of this exhibition include M & T Bank/Wilmington Trust, the Traditional Fine Arts Organization, and The John and Barbara Hazeltine Trust.

A wonderful selection of programming has been created to complement the exhibition, including: an opening night talk with the guest curator, a lecture on George Inness to mark the 200th year of his birth, a Family Day event focused on landscape, and a landscape in watercolor workshop presented by artist Suzanne Chamlin. These programs are free and open to the public.

For more information visit the ¼â½ÐÊÓƵ University Art Museum website.

Thursday,  Jan. 16 | 5 p.m.

Opening Night Lecture: Dawn & Dusk: Tonalism in Connecticut

Mary Ann Hollihan, exhibition curator, interview by ¼â½ÐÊÓƵ University Art Museum Executive Director Carey Weber
Bellarmine Hall, Diffley Board Room and via livestream on thequicklive.com

Thursday, Jan. 16 | 6-8 p.m.

Opening Reception: Dawn & Dusk: Tonalism in Connecticut

Bellarmine Hall, Great Hall and Bellarmine Hall Galleries

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